Showing posts with label zSetting Europe. Show all posts
Showing posts with label zSetting Europe. Show all posts

Saturday, June 2, 2012

The Small Boat of Great Sorrows by Dan Fesperman


Better watch what you dig up on the job. It could be a metaphor for something bigger. Former cop Vlado Petric of Sarajevo got his family out of what was left of Yugoslavia and settled in Berlin. Now he works construction doing site preparation for German builders. On one dig, he comes across an underground bunker that was a rest haven for SS drivers. Walking through the bunker brings back some chilling memories of Vlado.
            
Seemingly out of nowhere, an American working for the war crimes tribunal in The Hague contacts Vlado to see if he’d be interested in doing a little undercover work in Serbia. The tribunal has been on the trail of a World War 2 Croatian officer accused of genocide. Seems the Croatian sided with the Nazi’s and what was done to ethnic minorities rivaled what the Nazi’s did. But to get to this guy, the tribunal has to get to a younger version who also committed atrocities during the break up of Yugoslavia. This piece of work is to be lured out with the offer of grants to remove mines and Vlado is tabbed to make contact. If successful, the tribunal suggests that Vlado and his family would be able to go back home.
            
After agreeing, Vlado and his American contact head to Croatia, but at each step, Vlado learns bit by bit just how and why the tribunal came to select him to do this job. And like digging up that bunker in Berlin, one can be quite surprised at what one digs up when they keep digging, and most of the reasons point to Vlado’s father who never really addressed the question of “what did you do in the war, Daddy.” Was his role in WWII what Vlado thought or was it worse? And why did his dad go to Italy after the war and stay for 15 years? The more you dig, the more surprises unfold.
            
Fesperman is a journalist from Baltimore who has covered a number of hostilities so his attention to historical detail is critical in setting the scene at both the end of WWII and after the Balkin war. Each day is like rolling away another stone hiding some detail of the conflict and just who and what Vlado’s father was.
            
This book is Fesperman’s 2nd and I think it would have been better to have read the first novel, "Life in the Dark," where Vlado is introduced and the reasons behind why he had to leave his home so suddenly. Despite that, the circuitous path followed by Vlado is curious enough to keep you tuned attentively to the details. I’m certain more Fesperman books will be reviewed here. Thanks again to Jack the Librarian for suggesting Fesperman’s books.

By the way, the slightly pretentious title is actually a line from an old Slavic poem.

East Coast Don

Tuesday, March 27, 2012

36 Yalta Boulevard by Olen Steinhauer

Remember Brano Sev? He works for the Ministry of State Security in the capital of Olen Stenhauer's unnamed Eastern European country. He's been assigned to be the new rezident in Vienna in search of a double agent code named Gravillo. But an underling there wants the job, frames Brano with a murder and sends him back to the capital where he is summarily demoted to assembling tractor gauges.

Six months later, his old boss gets him off the line and sends him to his hometown to investigate a source suspected of selling information to the highest bidder. But Brano again is blamed for a murder. But with a little help manages to get out of the basement of Yalta Blvd and crosses the border into Austria.

Once there, and under the watchful eye of Austrian authorities, is told by his former boss to wait. From here, we are witness to the drudgery of surveillance, intrigue, and guesswork about just what the hell is going on. Who is pulling his chain? Who can be trusted? And who are all these shadows following him? Gavrillo? Good question.

This is the 3rd in his five part series of post WWII espionage/police procedural novels, leaving me with just one remaining. These stories are old school espionage, which means its probably more akin to what the spy game really was at the time. No piles of dead bodies, car chases, beautiful women, automatic weapons, and blowing up everything in sight. No, sir. This is about manipulation, sources, interrogation (torture optional), assembling puzzles, threats, cover-ups, dead drops, play-counterplay. Have mercy can Steinhauer weave a complicated tale. Not for those wanting mindless entertainment. Be warned. You have to work for it.

East Coast Don