Crimes on the reservation typically are neglected or subject
to a complicated web of tribal and federal jurisdiction limits. When local or
federal law enforcement fails, the locals call on Virgil to deliver justice
denied.
Reservation issues tend to revolve around property crime,
minor assaults, weed, and alcohol. Until heroin starts to find its way in. His
fourteen-year-old nephew, Nathan, gets involved with the heroin and is
hospitalized after an overdose. Being Nathan’s guardian, (after the death of
his sister) Virgil sets out to find the source and how the drug is entering
their world. A former girlfriend, Marie Short Bear, re-enters Virgil’s life and
gets pulled into the search for the bad guys.
The investigation leads Virgil well beyond the reservation
into Denver where he uncovers connections between different criminal
organizations. Tracking the trafficking routes, Virgil uncovers connections to
reservation politics, tribal power, and the chance that people he knows the
reservation contact where he has to confront these outside threats but also his
own history of anger, grief, and alcoholism (his own ‘winter counts’) that
cloud his own feelings and judgements about his Lakota identity.
The Lakota tradition of winter counts involves pictorial records of significant events remembered from year to year which for
Virgil are a metaphor for personal and collective memory that have shaped his
life. It all descends on Virgil as he tries to stop the drug trade while
dealing with his relationship with Lakota traditions and his own community.
I liked the way Weiden weaved a fast-paced thriller with a
thoughtful presentation of Native American life. The reservation is more than a
backdrop for the mystery; it is a central character to the story, like the way
Pelecanos makes Washington, DC a critical character. On the reservation,
systemic injustice, poverty, addiction, racism, cultural identity must be
balanced with Lakota resilience, humor, and tradition.
An interesting book. Not perfect. A few secondary characters could’ve been fleshed out more and some of the plot could be paced better. But don’t let that detract anyone from picking this up. Pretty sure I’ll be checking back in with Virgil. All in all, an impressive 2020 debut effort.
And it checks all my boxes: crime thriller, western, Native American.

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